Last Installment of the Zs’Skayr arc of And Beyond

On April 11, 1992, The Grand Opening of Euro Disney aired on CBS, offering viewers a spectacular, entertainment-filled evening as well as a special “sneak preview” of the Euro Disney Theme Park and Resort. The special was simulcast live across Europe in five languages and broadcast later the same day in the United States. Each country’s customized broadcast was hosted by popular local celebrities, introducing entertainers from their own countries.

Yakup and Şemsa are Assyrians living in Berlin with their three children and grandchildren. Twenty-five years ago they migrated from Mardin to Berlin. One day they receive a phone call from Mardin. This unexpected call deals with their son Mikhael, whom they lost twenty-five years ago. All the suffering of the family is refreshed. Yakup and Şemsa go to Mardin with their grandchildren, Nardin, who do not want to leave them alone. This trip will be the beginning of all their personal journeys. When the craftsman Yakup, who had not come for years, abandoned his village and saw his house looted; He will go after his house door. On his journey of finding the door, he will be accompanied by her granddaughter Nardin and the smuggler Remzi.

Two losers who'll do anything to try and be successful in the Triad world, but all they've accomplished is having a bad luck reputation.

Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

Excavations in Egypt's Valley of the Golden Mummies reveal a king's untouched tomb.

Technical school student Pavel Brychta, arrives at a youth correctional facility located within a chateau in Konečno. He is an atypical, but not hopeless case for the institution. Pavel comes from a well-off family and his antisocial behaviour on the verge of criminality was some kind of response to his difficult relationship with his authoritative father. However, it takes quite some effort for Pavel to find his place in this environment of bullying, and also diverse methods from the tutors

The making of The Prince of Egypt (1998).